
Prokopâs hands had become transparent through lack of use, but on the other hand they had acquired an extraordinary sense of touch. They felt and detected the potential power of detonation of whatever they encountered. A young body had an enormous explosive tensionâŚ
âKarel Äapek, Krakatit
âŚ
The father has a pocket watch, a treasured heirloom that dangles, glittering with sunlight. When he stares at it, you race to finish your sentences. When he snaps it shut, the conversation is over. A half hunter case, glass window peering into the skeletal face inside. Gears exposed like the mechanism of anyone the man stares at.
âŚ
Snowcapped mountains burn in the distance. Every day they melt a little more and drool down the slopes. Animals migrate. Plants grow where nothing was. And Lazur keeps watch.
âŚ
The portable TV is playing in the bathroom.
If someone seduced my daughter it would be damaging and horrifying, but not fatal. She would recover, marry and have lots of children. If some elderly schoolmaster seduced one of my sons and taught him to be homosexual, he would ruin him for life. That is the fundamental distinction.
âŚ
The greenhouse is trashed with Pop Rocks wrappers and soda cans. And Ruben is asking the other boyâ
How do you feel?
Maybe you should have some more?
He is disappointed that the other boy hasnât exploded yet. Heâs wasted a lot of his precious weekend with a schoolmate of lower intellectual caliber, that is to say, any of them. The boy is attractive enough, which had a pleasant socially signifying effect but that quickly faded, only to be rekindled by the power of carbon dioxide injected into crystallized sugar at high pressure, which then dissolves in a boyâs oral cavity. Suddenly his schoolmate seems very appealing, clutching his stomach with dread and nausea, and saying things like, âAm I going to die?â
Ruben looks at him seriously. âYes. Unless you get it all out.â
The other boy runs off, clutching his bloated stomach. Ruben stares with a tranced-out smile, waiting for the explosion, the surrender of control where nothing remains to be done and chaos triumphs over all rules and fatherly constructs.
âŚ
The boy missed lunch. Not just any lunch. It was lunch in the village, a puff piece interview with one of the most prestigious magazines in the world. An award-winning photographer, perfect alpine day, and the light was just right to capture the pedigreed features of this powerful family.
The father returns and asks where the boy is. Lazur tells him.
They find the boy in the greenhouse, dancing amid pink flowers in his motherâs skirt from many years ago, when she was still a fresh-faced socialite and not burnt photographs in the basement furnace.
âŚ
âLook at you. Dressing like a loose faggot.â
A hundred thousand dollar wristwatch lays on the bench directly under the sun, striking the boyâs eyes. So he stares down at the dirt, fingers nervously twisting his ruffled skirt.
âYouâre not some catamite. Youâre my son. And they will use this sickness against you. Against our name. Do you understand? Cameras everywhere.â
The boy mumbles, pathetically inaudible. Like heâs trying to cringe inside his own body.
âYou missed our interview. Left me looking like a fool. A man who doesnât know the whereabouts of his own son. A man who has no control over his life.â
âIâm sorry.â
âI trusted you to walk over after choir practice. And insteadâŚâ He stares with horror at his son wearing the dress of his departed wife. He goes to the sill and picks up the wristwatch. âItâs about time you had one of your own.â
He turns, and the boy sees the watch clearly for the first time. Alligator strap with a blood crimson face.
âGive me your hand.â
âFather?â
He waits until the boy yields his trembling wrist, then straps the watch on, glass kissing the skin.
âŚ
A scream cuts through the garden. Lazurâs face is a statue with nausea crawling beneath. He canât cover his ears, because it would mean he heard something.
âŚ
âAre you really going to embarrass yourself in front of the servants?â
He rips the skirt open, exposing shivering legs. He has a stick in his hand, the exact length his father used. Maybe a few more inches. The boy is a special case.
âYouâre going to learn punctuality. One second at a time.â
Tick tick of the burning watch. The boy holds it like a broken arm, writhing.
âIf you lose count. We begin again.â
The stick cracks, and the watch ticks into the boyâs skin, strapped so tight he feels his own pulse under the hot glass. Thump. Thump. Crack. The beating of his heart becomes the stick smacking into his knees. The skirt swirls with each blow. No male fabric would dance so skittishly, betraying his agony like this. The skirt becomes something ugly and ragged, this ripped-apart relic of his motherâs. He canât remember her at all anymore. Just his fatherâs words about what an unfaithful whore she was, and how she abandoned them.
âKeep counting.â
Sobbing, fighting not to claw the watch off his wrist, the next number comes out in a moan. âE-eightââ
âŚ
The boy comes out hand behind his back, trying to hide the red circle. He looks at Lazur with hate. Witness to the breakdown of his throat. This snot and bitter dew of tears. These trousers with dark stains soaking through the knees.
You wonât wear a skirt after that. Not withâ
Your knees beaten until the skin broke. So cover them up like a man.
The boyâs wrist is strapped tight. That watch follows him everywhere. Tick tick. He wears it to bed. When he bathes, one hand hangs outside. Afterwards, he carefully rubs soap around it, and works lotion under the strap.
But it must never leave his skin.
âŚ
A visit from fatherâs friend. A man with coppery hair who sips lithium water. Mineral calm.
âHave we met before?â
Lazur wonders what servant, thug, etc the man confused him for. Itâs a skill to cultivate. Losing your friction. Becoming unmemorable, but donât relax your face into anything that could be interpreted as malevolent. Being too friendly is dangerous tooâkeep your smile bland or theyâll think youâre mocking them, conspiring against them, stealing the silverware, fucking their wife. Scoop out your intellect, your half-complete engineering degree, the entire grit and substance of your humanity, and become the gun in your holster.
The calm man is speaking to the boy, smiling everywhere but his lips. âYouâll have to visit Zadracarta one day.â He produces an orange, jet-fresh and flayed, ready to eat. Heâs always walking around with that small knife, paring away until bits of rind litter the grass.
Ruben loves a treat. He just got back from school, white button-up and red tie and empty stomach. As he takes it, the man lays his hand on the boyâs back, which stiffens in response. âThe oranges are most delicious when picked just at the point of ripeness.â
Ants crawl around their shoes like leather watches, toes pointed at insectile infinities. The breeze lifts, then drops his tie like a firm hand inspecting it. The boy takes a bite, juice squirting down his chin. Discomfort at the mess, but he canât wipe it on his nice clothes, father taught him this. His lips burn with citric acid as the man whispers in his ear.
âŚ
Lazur goes to the lake with a can of Pabst Blue Ribbon. The poison clears his head and melts him into some kind of guy who can take his clothes off and jump in the water. A luxurious avalanche of trees flows down the slope, filtering mountain snow as it melts into the lake. The purest water of heaven.
He sinks until he canât see anything, until his feet touch cold pebbles. But his gun is on the shore, and he canât leave it unattended. Suddenly all pleasure disappears, and he emerges from the tepid water of a bathtub.
âŚ
He sprawls on toasted grass as the lake evaporates from his tan body. From throat to tailbone, he is skewered on sunlight. He watches an ant crawl inside the black hole of a beer can. Past the red and blue ribbons and into nothingness.
And nothingness.
He doesnât remember falling asleep, just clinging to his holster as something he has to keep track of, and possibly something he doesnât exist without. Something as small as a gun, but if he lost it, his master would show no mercy. A million tired bodies like his, desperate for a green card, blue card, some kind of color that says go, stay, safe. And you may send your mother half your paycheck and she will live and your baby cousin will live and everyone will live forever and ever.
He wakes up to the reek of alcohol. Something stronger than beer. Concentrated fuck your brain poison. It burns on his naked skin, and he thinks: I drank too much and blacked out.
Then he sees the argyle knee socks and private school shoes. And a drop of red as he pushes himself onto hands and knees. He was stabbed in the back. It burns, overflowing with his blood. He begins to stand, then a voice comes from above, the flammable sound of barely cracked vocal cords:
âCareful.â
The heat on his back is slow and melting, thicker than blood. So he stays still.
âYou’re covered in high-proof alcohol.â
Lazur looks for a match. A lighter. But the boy is just standing there.
âOn your back is a candle.â
Red wax on the grass, shiny clots that look heavy and fake against the delicate blades of nature. Rolling smooth over pocked stalks, over the speckles of his ribs. A candle from choir practice.
âIf you move, the candle falls over. You catch on fire. It’s just alcohol though. And the lake is right there. But what about the fireworks?â
In his waking haze, Lazur thought he was tangled in creeping foliage. But he feels now the tubes of flash powder decorating his body in wreaths and manacles.
âYou know what these are, don’t you?â
He does. Military simulation explosives that became popular as an incredibly powerful consumer firework. Many countries have banned them. People lose fingers, eyes, limbs.
Those schoolboy shoes (leather buckle across a bony cleavage of sock) are wiggling, pent with excitement. Then they disappear into the blind spot behind Lazur. He squeezes his legs together, acutely humiliation mixed with the awkwardness of the boyâs age. The boy shouldnât be doing this, or seeing this. He tests a slight roll to the side, seeing if the candle will fall off. A hot stream of clear wax spills onto his back and he gasps, tears of pain filling his eyes.
âIâll tell yourââ He bites back the words, but itâs too late. The boy laughs harshly.
âYes,â the boy says placidly. âI know you will.â Lazur bites his lip, flushed with shame.
Mr Bombâs greatest adversary yetâa boy with a candleâ
âOr Iâll tell him you touched me.â The boy is putting sparklers between his toes, pale soles exposed to the fading sun. âDonât move.â
âWaitââ
The flick of a lighter, and Lazurâs body seizes upâevery sense screamed danger, yet he could not move without certain deathâvibrating as sparks spray his most sensitive areas like white-hot needles, like a rape of wasps. Raking his sensitive soles and the backs of his thighs and between them. A gob of drool escapes his mouth, webbing the grass. He makes incoherent noises mixed with violent, gruesome threats. Fuck you kill you rip your head off.
And then itâs over. The alcohol doesnât ignite. The M-80s donât explode. His feet burn terribly, smoking between the toes. He tries to lean forwards or backwards but the candle wobbles at the slightest movement, perched in the slump of his spine, forcing him to adjust to the melting wax, the growing heat. Paraffin drips down his ribs, and oozes into private places. A slow, molten violation. His shoulder blades tense and his tailbone arches. Unable to beat this skinny kid.
A quick enough movement and he could fling it off. If the melting candle doesnât stick to him, and doesnât hit the ethanol-soaked grass around him, and he doesnât trip on the fireworks encircling his limbs. And he knows the boy carries his dadâs old lighter. Heâs caught him burning enough shit with it. But he never expected to become the kindling itselfâwhat could Mr Bomb have done to incur the wrath of this sinister firebugâ
âIâm sorry,â he says to Ruben, so low and sad that the boy has to lean close. âHe shouldnât have done that to you.â
âThatâs big of you,â Ruben says without emotion. And Lazur realizes how many times the boy has to have heard these useless regrets from relatives, teachers, nannies, any adult heâs shared his pain with. It hurts worse than denial. It hurts like hope. Then the lid shuts again.
So Lazur laughs.
âYeah. I know. It doesnât change a thing. You never met a single person who wasnât owned by him.â
The knee socks twist with cotton emotion, strained by their caps. An alternating pattern of red and blue diamonds. âThatâs right.â
âSo run away.â
âHeâll find me.â
âYeah. Itâs just fucked, isnât it.â Sweat pours down Lazurâs face that he canât wipe. A hot pool of wax bubbles in his spinal slump.
âI wish he was dead.â
âMe too.â
Ruben is surprised. No adult has ever said that. They always say, just wait, youâll be out of there soon, or no, you donât wish that, youâre just angry. âBut you take his money.â
âWhat do you want me to say? Iâm a coward. Iâm a walking gun. But the only person Iâm killing is myself. Day after day in this place. No one is insane enough to attack your father. I just stand there like a piece of shit waiting to put this gun in my mouth. So light me up. I guess I can do it. If I just let that candle fall. But Iâm a coward. So Iâm stuck here. Iâm stuck and youâre stuck and it’s fuckedââ The candle slides on his back, vibrating with laughter, but he canât stop, the heat is building inside him and everything is going toâ
Something touches his flank. A soft, small hand. And his laughter turns to something else. Dripping on the grass.
âMake a wish,â Ruben says.
âHuh?â
The boy blows the candle out, a cool breath on his tortured back, splotches of wax like keloid whip scars. He collapses into the boozy mud, taut legs spasming with relief.
âŚ
As they step into the parlor at the back of the house, it is so still they donât see the father at first. Lazur turns to the boy to say something dangerously familiar, a joke or threat, he doesnât know yet, something earned by the tension of what happened at the lake. But something holds his tongue, the instinct of living in other peopleâs houses. And indeed, on that bloodwood sofa upholstered in crimson velvet, there is a man in a smoking jacket, lustrous red in this room of antique browns, like a silken fire burning through reality.
âDo you know the time, Ruben.â
The boy is breaking apart in Lazurâs periphery like a fighter in formation about to burst into debris, sucked into the wind. It hasnât become visible yet, but it will in a moment. The terror is an acid.
Lazur says, âI told him to wait at the cabin. I thought I saw a trespasser.â
The father sniffs him, and Lazurâs innards clench. He rinsed off the sweat-wax-gunpowder fear slime in the lake. But he didnât dunk his head in, didnât want to walk back looking like heâd been skinny dipping with the boy. So his hair stinks ofâ
âBooze.â
âI saw that drunk again. Was pulling him back to the road and he stunk.â
The father is inches from his face. Lazur stands there without emotion. A stupid, vacant look.
âYou know you can shoot the drunks.â
âYes sir.â
âI own the entire village. You can shoot them.â
âYes sir.â
The father goes to the drink cabinet. âGo to bed, Ruben.â
Only Lazur sees the boy collapse in the shadow of the stairs. Legs shaking so bad he is forced to crawl upstairs, trying very hard not to make a sound. Lazur has a similar disease: Deposits of gelatin in his joints. Burnt feet itching madly in his boots. The fear that if he moves, he will fall. That even a single muscle out of place will spring the trap this man is, those eyes that see nothing good and believe every ill that comes to them.
âFlying the jet out tomorrow. Keep Ruben out of trouble. No fireworks.â
âYes sir.â