⭐ thanks everyone who got TORTURE WORKS! it is a very PRETTY BOOK inside and out, made with GREAT LOVE. it is a good way to read my stories of the last decade in an attractive format, and an auspicious TRANSITION to the next phase of our operation, a new wave of fresh, unclotted fluid.
I’m very proud of the layout and everyone who worked on it. I chose Averia Libre because it is a rare font that has personality but is also readable. I hope it added to the dreamy, sweaty feel…
Bombs are associated with “colored wires”. So everyone has their own color.
Lazur = blue Cortázar = the language fits one of his backgrounds and it means something like “old stable”
Rubicon = a menacing but beautiful red word. Don’t cross him…
Calendula was the obvious name for the third character, as it is an orange flower (opposite on the color wheel from Lazur’s blue), means little clock (time is a theme of the book and Calendula seeks to minimize and control time), and it kind of sounds like Caligula. Triple significance.
ELEMENTS
A bomb is impossible to fit in the brain. So I explode it into Time + Destruction. These are impossible to fit as well, so I divide again.
Everyone has a wristwatch. Everyone carries a countdown on their arm. The mundane reflects the unspeakable.
Knowing these simple elements allows me to extrapolate the connective tissue between everything.
I thought it would just be a quick story. I called the document:
later I named it Serious Weakness as a translation of myasthenia gravis. my runner-up title was Blind Cleavage, a play on the art conservation term (“Blind cleavage…is a separation that has no visible rupture, but one can tell there has been an underlying separation of layers.” (the weakness Insul detects in Trianon under the mask)), crossed with Trianon’s mutilated chest. X_X. blind cleavage!!